{"id":8816,"date":"2025-11-06T13:57:43","date_gmt":"2025-11-06T13:57:43","guid":{"rendered":"https:\/\/acervocarlitocarvalhosa.com.br\/?post_type=texto&p=8816"},"modified":"2025-11-06T21:42:25","modified_gmt":"2025-11-06T21:42:25","slug":"a-natureza-das-coisas","status":"publish","type":"texto","link":"https:\/\/acervocarlitocarvalhosa.com.br\/en\/texto\/a-natureza-das-coisas\/","title":{"rendered":"A natureza das coisas"},"content":{"rendered":"\n\n\n<\/p>\n\n\n\n

SESC Pompeia <\/strong><\/p>\n\n\n\n

Carlito Carvalhosa, always present. The exhibition The Nature of Things \u2013 Carlito Carvalhosa presents to the public, for the first time, a set of installations by the artist, who died in 2021, gathered in one place. The works were assembled according to the original projects, proposing dialogues with the architecture of SESC Pomp\u00e9ia, designed by Lina Bo Bardi. An encounter desired by Carvalhosa who, like Bo Bardi, sought to transform \u201cspaces into places\u201d. <\/p>\n\n\n\n

Carlito Carvalhosa was fascinated by forms in a state of becoming, by matters that do not accept definitive conclusion, intermediate, incipient instances, so that the opposition between origin and completion, birth and decay, is neutralized, collapsing every possible hierarchy between them. His three-dimensional and installation works tend, for the most part, to manifest themselves as \u2018soft\u2019 or \u2018penetrable\u2019 works of monumental dimensions, which, in addition to the great visual impact and an inherent mental activation, enable a performative bodily fruition. These are works that invite the public to become the subject of the creative act, through an experience that relates materials, space and time, simultaneously. <\/p>\n\n\n\n

Poles that float, fabrics that erase the place, displaced landscapes, lights that materialize. These installations were conceived as experimental works in situ, ephemeral. But it is not possible to stop thinking of them disembodied of what they could have been to become, themselves, recipients of the space that contains them. Such is the surprising effect of Carvalhosa\u2019s installations: that they do not accommodate the space as much as they \u2018invent\u2019 it. It is the tension against the space where they are placed that characterizes them, that is, it is in the impulse to become continents of that space that lies their prodigious phenomenological effect of spatial invention. <\/p>\n\n\n\n

The exhibition The Nature of Things \u2013 Carlito Carvalhosa celebrates the artist\u2019s gesture and shares with the public moments of his creation process. The intangible is consubstantiated and things change place and function in Carlito Carvalhosa\u2019s space-time, which is always present. <\/p>\n\n\n\n

Carlito Carvalhosa \u2013 The Nature of Things <\/strong><\/p>\n\n\n\n

SESC Pomp\u00e9ia, October 2024 \u2013 February 2025 <\/strong><\/p>\n\n\n\n

Curated by <\/strong>Daniel Rangel and Luis P\u00e9res-Oramas <\/p>\n\n\n\n

Adjunct Curator<\/strong> L\u00facia K. Stumpf<\/p>\n\n\n

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